ARTS 209 Quiz Visual Stereotypes

ARTS 209 Quiz Visual Stereotypes

  1. Relational aesthetics focuses on human relationships and social spaces, rather than emphasizing art objects in private galleries, homes, or museums.
  2. Brazilian-born Thai artist Rirkrit Tiravanija created a stainless steel Ping-Pong table called Untitled 2008 (the future will be chrome). This work is a good example of ____ because gallery-goers can play on it.
  3. A recent discipline in critical writing is ____ , which attempts to integrate and analyze the visual components of contemporary culture.
  4. The role of the art critic is ____.
  5. Psychoanalytic criticism helps to interpret artwork with strong ____ content.
  6. Artistic metaphors and symbols are ____.
  7. Structuralists believe that in order to understand a work of art, one must study the structure of art and the complex ____ of all its parts.
  8. The most obvious factor in determining the content of a work of art is its subject matter.
  9. The subtext in an artwork refers to ____.
  10. Context refers to the social and ____ conditions that encompass a work of art.
  11. Formal analysis is important because it is helpful in understanding the ____ of a work of art.
  12. Dona Schlesier’s mixed-media piece Setting Cycles has a subject matter that is ____.
  13. From the moment a work of art is made, its content is subject to change.
  14. ____ is a system of symbols that allows artists to refer to complex ideas.
  15. In a work of art, content is conveyed primarily in three ways: through its symbolic references, through written materials and cultural context, and
  16. Content is about a work of art’s ____.
  17. Feminist criticism deals with ____ in art.
  18. Ancient Romans believed that their ancestry ____.
  19. The subject matter of ukiyo-e prints were usually famous kabuki actors, beautiful young women,and
  20. Ceremonies for a clan’s living members took place in Zapotec ____.
  21. In his paintings, Marc Chagall sometimes used the ____ device of fracturing space to represent instability.
  22. Peter Paul Rubens’ Abduction of the Daughters of Leucippus revealed that the women of that time were expected to be
  23. In Las Meninas, Velazquez places Infanta Margarita at the center of the painting and surrounds her with dwarfs, chaperones, and ladies in waiting to reveal her
  24. Marc Chagall painted in bright colors, like the ____.
  25. A revival of Greek and Roman aesthetics inspired a style called ____, which emphasized the use of classical elements in art and architecture.
  26. French people saw Rococo architecture as ____.
  27. Because of restrictive laws emphasizing cultural separation, nineteenth-century Russian Jews were unable to pursue careers in the arts and found work primarily in the areas of business and manual labor.
  28. ____ paintings are paintings of ordinary scenes from everyday life.
  29. The ____is a collective of anonymous women artists and arts professionals protesting racial and gender discrimination in the arts.
  30. A ____ is a group of people joined by blood or marriage ties.
  31. Jacques-Louis David’s The Oath of the Horatii revealed that heroic actions were ____.
  32. In The Kitchen Maid, Van Eyck portrays a humble working-class woman with great dignity.
  33. In the 1960s and 1970s, high-profile art exhibitions in prestigious American museums frequently included work by women artists.
  34. Artists often illustrate social rank through dress, leisure activities, and ____.
  35. James VanDerZee was a commercial studio photographer whose work was strongly influenced by depictions of female stereotypes in films from the 1950s and 1960s.
  36. In Western culture, architecture is gendered — different styles are associated with certain qualities that are perceived to be masculine or feminine.
  37. Art can forge racial identity and preserve the history and values of a(n) ____ group.
  38. Artists such as Jacques-Lois David not only reflected the “reality” of gender roles, they ____ such “reality.”
  39. Marc Chagall’s works reflected his heritage, which was ____.
  40. The photographs of James VanDerZee reflect the ____.
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